📄 01-1-Download Exercise Files – Setting Up a Timeline in Premiere Pro.pdf (17.93 KB)
📄 01-MVI_0398MOV_001.mp4 (555.98 KB)
📄 01-MVI_0399MOV.mp4 (0.00 B)
📄 01-MVI_0401MOV.mp4 (0.00 B)
📄 01-MVI_0401MOV_001.mp4 (0.00 B)
📄 01-MVI_0401MOV_002.mp4 (0.00 B)
📄 01-P9960615MOV-001.mov (239.00 B)
📄 02-2 – Setting Up a Timeline in Premiere Pro.mp4 (67.48 MB)
📄 03-3-Color Grading Workflow in Premiere Pro.mp4 (82.27 MB)
📄 04-Ford_Focus.mp4 (0.00 B)
📄 04-_Ford_Focus.mov (329.00 B)
📄 05-5-Introduction to Scopes in Lumetri.mp4 (64.82 MB)
📄 06-A001_C018.mp4 (0.00 B)
📄 06-RayBan_Man.mp4 (0.00 B)
📄 06-Waveform_Runner.mp4 (0.00 B)
📄 06-Waveform_Runner1.mp4 (0.00 B)
📄 06-_A001_C018.mov (329.00 B)
📄 06-_MVI_9955.MOV (239.00 B)
📄 06-_RayBan_Man.mov (329.00 B)
📄 06-_Sing_Loud.mov (329.00 B)
📄 06-_Waveform_Runner.mov (239.00 B)
📄 07-7-Lumetri Waveform Scopes.mp4 (57.17 MB)
📄 08-Blue_Rooftop.mp4 (0.00 B)
📄 08-Office.mp4 (0.00 B)
📄 08-Veranda.mp4 (0.00 B)
📄 09-9-Lumetri Parade Scopes.mp4 (24.05 MB)
📄 10-10_Step_Chart.mp4 (0.00 B)
📄 10-Balanced_Exterior.mp4 (0.00 B)
📄 10-Overexposed_Interior.mp4 (0.00 B)
📄 10-Rooftop.mp4 (0.00 B)
📄 10-Underexposed_Exterior.mp4 (0.00 B)
📄 10-_10_Step_Chart.mov (329.00 B)
📄 10-_Balanced_Exterior.mov (329.00 B)
📄 10-_Overexposed_Interior.mov (329.00 B)
📄 10-_Rooftop.mov (329.00 B)
📄 10-_Underexposed_Exterior.mov (329.00 B)
📄 100-A011_C040_0829Q6Bkd.mp4 (0.00 B)
📄 100-Warm_Cool_Contrast.mp4 (0.00 B)
📄 100-_A011_C040_0829Q6Bkd.mov (329.00 B)
📄 100-_Warm_Cool_Contrast.mov (329.00 B)
📄 101-103-Complementary Contrast and Warm Cool Contrast.mp4 (55.75 MB)
📄 102-Contrast_of_Saturation.mp4 (0.00 B)
📄 102-_Contrast_of_Saturation.mov (329.00 B)
📄 103-105-Contrast of Saturation.mp4 (33.72 MB)
📄 104-Contrast_of_Hue.mp4 (660.62 MB)
📄 104-_Contrast_of_Hue.mov (239.00 B)
📄 105-107-Contrast of Hue.mp4 (39.09 MB)
📄 106-108-Memory Colors and What Certain Colors Mean.mp4 (161.77 MB)
📄 107-109-Color Schemes and Harmonies.mp4 (113.43 MB)
📄 108-110-Download Exercise Files – Creative Looks Based on a Color Scheme.mp4 (0.00 B)
📄 109-111-Creative Looks Based on a Color Scheme.mp4 (338.80 MB)
📄 11-11-Lumetri Vectorscope.mp4 (29.01 MB)
📄 110-Bleach_Bypass_01.mp4 (0.00 B)
📄 110-Bleach_Bypass_02.mp4 (0.00 B)
📄 110-_Bleach_Bypass_01.mov (329.00 B)
📄 110-_Bleach_Bypass_02.mov (329.00 B)
📄 111-113-Bleach Bypass Look.mp4 (72.37 MB)
📄 112-The_Black_and_White_Look.mp4 (0.00 B)
📄 112-_The_Black_and_White_Look.mov (329.00 B)
📄 113-115-Black And White Look.mp4 (56.84 MB)
📄 114-Day_For_Night_01.mp4 (0.00 B)
📄 114-Day_For_Night_02.mp4 (0.00 B)
📄 115-117-Day For Night Look.mp4 (69.57 MB)
📄 115-_Day_For_Night_01.mov (398.00 B)
📄 115-_Day_For_Night_02.mov (398.00 B)
📄 116-Cross_Process_01.mp4 (0.00 B)
📄 116-Cross_Process_02.mp4 (0.00 B)
📄 116-Cross_Process_03.mp4 (0.00 B)
📄 116-Cross_Process_04.mp4 (0.00 B)
📄 116-_Cross_Process_01.mov (398.00 B)
📄 116-_Cross_Process_02.mov (398.00 B)
📄 116-_Cross_Process_03.mov (398.00 B)
📄 116-_Cross_Process_04.mov (398.00 B)
📄 117-119-Cross Process Look.mp4 (79.72 MB)
📄 118-Vintage_Looks_01.mp4 (0.00 B)
📄 118-_Vintage_Looks_01.mov (398.00 B)
📄 119-121-Vintage Looks.mp4 (86.07 MB)
📄 12-12-Lumetri Histogram Scopes.mp4 (26.20 MB)
📄 120Cosmetic.mp4 (0.00 B)
📄 120_Cosmetic.mov (398.00 B)
📄 121-123-Cosmetic Look.mp4 (38.77 MB)
📄 122-Orange_Teal_UnTreated.mp4 (0.00 B)
📄 122-Orange_Teal_UnTreated_02.mp4 (0.00 B)
📄 122-_Orange_Teal_UnTreated.mov (239.00 B)
📄 122-_Orange_Teal_UnTreated_02.mov (398.00 B)
📄 123-125-Orange Teal Look.mp4 (88.51 MB)
📄 124-Wes_Anderson_Look.mp4 (0.00 B)
📄 124-_Wes_Anderson_Look.mov (398.00 B)
📄 125- 127-Wes Anderson Look.mp4 (50.18 MB)
📄 13-13a-Setting Exposure APzip.pdf (15.06 KB)
📄 13-V1-0001_SettingExposure.mp4 (0.00 B)
📄 13-V1-0002_SettingExposure.mp4 (0.00 B)
📄 13-V1-0003bkd_SettingExposure.mp4 (0.00 B)
📄 13-V1-0004_SettingExposure.mp4 (0.00 B)
📄 13-V1-0005_SettingExposure.mp4 (0.00 B)
📄 13-V1-0006_SettingExposure.mp4 (0.00 B)
📄 13-_V1-0001_SettingExposure.mov (332.00 B)
📄 13-_V1-0002_SettingExposure.mov (332.00 B)
📄 13-_V1-0003bkd_SettingExposure.mov (422.00 B)
📄 13-_V1-0004_SettingExposure.mov (332.00 B)
📄 13-_V1-0005_SettingExposure.mov (332.00 B)
📄 13-_V1-0006_SettingExposure.mov (332.00 B)
📄 14-13b-Download Exercise Files – Setting Exposure in Premiere Pro.pdf (14.43 KB)
📄 14-V1-0001_SettingExposure.mp4 (0.00 B)
📄 14-V1-0002_SettingExposure.mp4 (0.00 B)
📄 14-V1-0003_SettingExposure.mp4 (0.00 B)
📄 14-V1-0003bkd_SettingExposure 1.mp4 (0.00 B)
📄 14-V1-0003bkd_SettingExposure.mp4 (0.00 B)
📄 14-V1-0004_SettingExposure.mp4 (0.00 B)
📄 14-V1-0005_SettingExposure.mp4 (0.00 B)
📄 14-_V1-0001_SettingExposure.mov (239.00 B)
📄 14-_V1-0002_SettingExposure.mov (239.00 B)
📄 14-_V1-0003_SettingExposure.mov (239.00 B)
📄 14-_V1-0003bkd_SettingExposure.mov (329.00 B)
📄 14-_V1-0004_SettingExposure.mov (239.00 B)
📄 14-_V1-0005_SettingExposure.mov (239.00 B)
📄 14-_V1-0006_SettingExposure.mov (239.00 B)
📄 15-14-Setting Exposure in Premiere Pro.mp4 (122.88 MB)
📄 16-A009_C008_1105RJ.mp4 (0.00 B)
📄 16-A012_C016_1106ZJ_001bkd.mp4 (0.00 B)
📄 16-A020_C003_1107P1_001.mp4 (0.00 B)
📄 16-A021_C010_1108CV_001.mp4 (0.00 B)
📄 16-_A009_C008_1105RJ.mov (329.00 B)
📄 16-_A012_C016_1106ZJ_001bkd 1.mov (329.00 B)
📄 16-_A020_C003_1107P1_001.mov (239.00 B)
📄 16-_A021_C010_1108CV_001.mov (239.00 B)
📄 17-16-Color Balancing in Premiere Pro.mp4 (71.48 MB)
📄 18-A001C030_140615_R3VIbkd.mp4 (0.00 B)
📄 18-A001C031_140614_R3VIbkd.mp4 (0.00 B)
📄 18-_A001C030_140615_R3VIbkd.mov (329.00 B)
📄 18-_A001C031_140614_R3VIbkd.mov (329.00 B)
📄 19-18-Obsolete Color Effects in Premiere Pro.mp4 (78.34 MB)
📄 20-OverlayWaveform_ExerciseFiles00000026.mp4 (0.00 B)
📄 20-OverlayWaveform_ExerciseFiles00000240.mp4 (0.00 B)
📄 20-OverlayWaveform_ExerciseFiles00001786.mp4 (0.00 B)
📄 20-_OverlayWaveform_ExerciseFiles00000026.mov (239.00 B)
📄 20-_OverlayWaveform_ExerciseFiles00000240.mov (239.00 B)
📄 20-_OverlayWaveform_ExerciseFiles00001786.mov (239.00 B)
📄 21-20-Color Balancing With The RGB Overlay.mp4 (52.10 MB)
📄 22-Broadcast_Safe_01.mp4 (0.00 B)
📄 22-Broadcast_Safe_02.mp4 (0.00 B)
📄 22-Broadcast_Safe_03.mp4 (0.00 B)
📄 22-Broadcast_Safe_04.mp4 (0.00 B)
📄 22-_Broadcast_Safe_01.mov (329.00 B)
📄 22-_Broadcast_Safe_02.mov (329.00 B)
📄 22-_Broadcast_Safe_03.mov (329.00 B)
📄 22-_Broadcast_Safe_04.mov (329.00 B)
📄 23-22-Broadcast Safe in Premiere Pro.mp4 (40.47 MB)
📄 24-ASCEND.zip (106.18 MB)
📄 24-Ford_Focus_For_LUTs.mp4 (0.00 B)
📄 24-J001C007_140110_R6MS.mp4 (0.00 B)
📄 24-_Ford_Focus_For_LUTs.mov (329.00 B)
📄 24-_J001C007_140110_R6MS.mov (329.00 B)
📄 25-24-Overview of LUTs in Premiere Pro.mp4 (73.63 MB)
📄 26-A001_C022.mp4 (0.00 B)
📄 26-Unicycle_Mountain.mp4 (0.00 B)
📄 26-_A001_C022.mov (329.00 B)
📄 26-_Unicycle_Mountain.mov (329.00 B)
📄 27-26-Create Add and Save LUTs in Premiere Pro.mp4 (80.03 MB)
📄 28-A001_C018_100287.mp4 (0.00 B)
📄 28-A001_C028_1002FE.mp4 (0.00 B)
📄 28-A001_C037_1002QL.mp4 (0.00 B)
📄 28-A003_C023_1002P0.mp4 (0.00 B)
📄 28-A08_2016.mp4 (0.00 B)
📄 28-_A001_C018_100287.mov (329.00 B)
📄 28-_A001_C028_1002FE.mov (329.00 B)
📄 28-_A001_C037_1002QL.mov (329.00 B)
📄 28-_A003_C023_1002P0.mov (329.00 B)
📄 28-_A08_2016.mov (329.00 B)
📄 28-_J001C033_140110.mov (329.00 B)
📄 29-28-Using Technical LUTs in Premiere Pro.mp4 (45.87 MB)
📄 30-29-Using Creative LUTs in Premiere Pro.mp4 (50.48 MB)
📄 31-30-Color Management.mp4 (36.80 MB)
📄 32-A001_C021_1221D4_F.mp4 (0.00 B)
📄 32-A001_C021_1221D4_H.mp4 (0.00 B)
📄 32-A001_C021_1221D4_M 1.mp4 (0.00 B)
📄 32-A001_C021_1221D4_M.mp4 (0.00 B)
📄 32-A001_C021_1221D4_P.mp4 (0.00 B)
📄 32-A001_C023_122149_F.mp4 (0.00 B)
📄 32-A001_C023_122149_H.mp4 (0.00 B)
📄 32-A001_C023_122149_M.mp4 (0.00 B)
📄 32-A001_C023_122149_P.mp4 (0.00 B)
📄 32-A001_C067_12213B_F.mp4 (0.00 B)
📄 32-A001_C067_12213B_H.mp4 (0.00 B)
📄 32-A001_C067_12213B_M.mp4 (0.00 B)
📄 32-A001_C067_12213B_P.mp4 (0.00 B)
📄 32-A001_C069_12216N_F.mp4 (0.00 B)
📄 32-A001_C069_12216N_H.mp4 (0.00 B)
📄 32-A001_C069_12216N_M.mp4 (0.00 B)
📄 32-A001_C069_12216N_P.mp4 (0.00 B)
📄 32-A001_C075_1221LY_F.mp4 (0.00 B)
📄 32-A001_C075_1221LY_H.mp4 (0.00 B)
📄 32-A001_C075_1221LY_M.mp4 (0.00 B)
📄 32-A001_C075_1221LY_P.mp4 (0.00 B)
📄 32-A001_C077_1221YP_F.mp4 (0.00 B)
📄 32-A001_C077_1221YP_H.mp4 (0.00 B)
📄 32-A001_C077_1221YP_M.mp4 (0.00 B)
📄 32-A001_C077_1221YP_P.mp4 (0.00 B)
📄 32-A002_C024_1221ST_F.mp4 (0.00 B)
📄 32-A002_C024_1221ST_H.mp4 (0.00 B)
📄 32-A002_C024_1221ST_M.mp4 (0.00 B)
📄 32-A002_C024_1221ST_P.mp4 (0.00 B)
📄 32-_A001_C021_1221D4_F.mov (239.00 B)
📄 32-_A001_C021_1221D4_H.mov (239.00 B)
📄 32-_A001_C021_1221D4_M.mov (239.00 B)
📄 32-_A001_C021_1221D4_P.mov (239.00 B)
📄 32-_A001_C023_122149_F.mov (239.00 B)
📄 32-_A001_C023_122149_H.mov (239.00 B)
📄 32-_A001_C023_122149_M.mov (239.00 B)
📄 32-_A001_C023_122149_P.mov (239.00 B)
📄 32-_A001_C067_12213B_F.mov (239.00 B)
📄 32-_A001_C067_12213B_H 1.mov (239.00 B)
📄 32-_A001_C067_12213B_H.mov (239.00 B)
📄 32-_A001_C067_12213B_M.mov (239.00 B)
📄 32-_A001_C067_12213B_P.mov (239.00 B)
📄 32-_A001_C069_12216N_F.mov (239.00 B)
📄 32-_A001_C069_12216N_H 1.mov (239.00 B)
📄 32-_A001_C069_12216N_H.mov (239.00 B)
📄 32-_A001_C069_12216N_M.mov (239.00 B)
📄 32-_A001_C075_1221LY_H.mov (239.00 B)
📄 32-_A001_C075_1221LY_M.mov (239.00 B)
📄 32-_A001_C075_1221LY_P.mov (239.00 B)
📄 32-_A001_C077_1221YP_F.mov (239.00 B)
📄 32-_A001_C077_1221YP_H.mov (239.00 B)
📄 32-_A001_C077_1221YP_M.mov (239.00 B)
📄 32-_A001_C077_1221YP_P.mov (239.00 B)
📄 32-_A002_C024_1221ST_F.mov (239.00 B)
📄 32-_A002_C024_1221ST_H.mov (239.00 B)
📄 32-_A002_C024_1221ST_M.mov (239.00 B)
📄 32-_A002_C024_1221ST_P.mov (239.00 B)
📄 33-32-Working With RED RAW in Premiere Pro.mp4 (74.13 MB)
📄 34- 34-Working With Black Magic Cinema Raw in Premiere Pro.mp4 (61.56 MB)
📄 35-A006_C015_Working_With_LOG_CGC.mp4 (0.00 B)
📄 35-A008_C004_Working_With_LOG_CGC.mp4 (0.00 B)
📄 35-_A006_C015_Working_With_LOG_CGC.mov (329.00 B)
📄 35-_A008_C004_Working_With_LOG_CGC.mov (329.00 B)
📄 36-36-Working With LOG in Premiere Pro.mp4 (59.24 MB)
📄 37-BMCC_BADDAY.mp4 (0.00 B)
📄 37-BMCC_KINGONHILL.mp4 (0.00 B)
📄 37-RMD_BLEMISH.mp4 (0.00 B)
📄 37-RMD_MUSICVID_VIGNETTE.mp4 (0.00 B)
📄 37-_BMCC_BADDAY.mov (329.00 B)
📄 37-_BMCC_KINGONHILL.mov (329.00 B)
📄 37-_RMD_BLEMISH.mov (329.00 B)
📄 37-_RMD_MUSICVID_VIGNETTE.mov (329.00 B)
📄 38-38-Secondary Corrections With Vignettes and Masks.mp4 (99.13 MB)
📄 39-Tracking_Mask_Face_Relight.mp4 (0.00 B)
📄 39-Tracking_Mask_Mosaic_Effect.mp4 (0.00 B)
📄 39-Tracking_Mask_Picnic.mp4 (0.00 B)
📄 39-Tracking_Mask_Red_Suitcase.mp4 (0.00 B)
📄 39-Tracking_Masks_Soldiers_Relight.mp4 (0.00 B)
📄 39-_Tracking_Mask_Face_Relight.mov (329.00 B)
📄 39-_Tracking_Mask_Mosaic_Effect.mov (329.00 B)
📄 39-_Tracking_Mask_Picnic.mov (329.00 B)
📄 39-_Tracking_Mask_Red_Suitcase.mov (329.00 B)
📄 39-_Tracking_Masks_Soldiers_Relight.mov (329.00 B)
📄 40-40-Effects And Mask Tracker in Premiere Pro.mp4 (92.64 MB)
📄 41-HSL_Curves.mp4 (0.00 B)
📄 41-_HSL_Curves.mov (389.00 B)
📄 42-42-Hue Saturation Curve Tools in Premiere Pro.mp4 (84.39 MB)
📄 43-Orange_Couple_HSL_Secondaries.mp4 (0.00 B)
📄 43-_Orange_Couple_HSL_Secondaries.mov (329.00 B)
📄 44-44-HSL Secondary Corrections in Premiere Pro.mp4 (71.16 MB)
📄 45-HSL_Advanced_Ford_Focus.mp4 (0.00 B)
📄 45-HSL_Advanced_Yellow_Graffiti.mp4 (0.00 B)
📄 45-Polaroid_Skin_Tone.mp4 (0.00 B)
📄 45-_HSL_Advanced_Ford_Focus.mov (329.00 B)
📄 45-_HSL_Advanced_Yellow_Graffiti.mov (329.00 B)
📄 45-_Polaroid_Skin_Tone.mov (329.00 B)
📄 46-46-HSL Advanced Secondary Corrections in Premiere Pro.mp4 (145.56 MB)
📄 47-HDR_Grading_Technique.mp4 (0.00 B)
📄 47-HDR_Grading_Technique_02.mp4 (0.00 B)
📄 47-_HDR_Grading_Technique.mov (329.00 B)
📄 47-_HDR_Grading_Technique_02.mov (329.00 B)
📄 48-48-HDR Grading Technique in Premiere Pro.mp4 (54.83 MB)
📄 49-Blackmagic_Production_Camera_4K_1_2014-07-09_1608_C0000.mp4 (0.00 B)
📄 49-Blackmagic_Production_Camera_4K_1_2014-07-09_1608_C0000_1.mp4 (0.00 B)
📄 49-_Blackmagic_Production_Camera_4K_1_2014-07-09_1608_C0000.mov (296.00 B)
📄 49-_Blackmagic_Production_Camera_4K_1_2014-07-09_1608_C0000_1.mov (239.00 B)
📄 50-50-Color Correcting White Limbo in Premiere Pro.mp4 (85.24 MB)
📄 51-51-Download Exercise Files – Keyframing Effects in Premiere Pro.pdf (14.02 KB)
📄 51-Blackboard_Opacity.mp4 (0.00 B)
📄 51-Hospital_Transition.mp4 (0.00 B)
📄 51-Strawberrys_And_Summer.mp4 (0.00 B)
📄 51-Surfer_01.mp4 (0.00 B)
📄 51-Surfer_02.mp4 (0.00 B)
📄 51-_Blackboard_Opacity.mov (329.00 B)
📄 51-_Hospital_Transition.mov (329.00 B)
📄 51-_Strawberrys_And_Summer.mov (329.00 B)
📄 51-_Surfer_01.mov (329.00 B)
📄 51-_Surfer_02.mov (329.00 B)
📄 52-52-Keyframing Effects in Premiere Pro.mp4 (135.01 MB)
📄 53-MVI_7751.mp4 (0.00 B)
📄 53-_MVI_7751.mov (329.00 B)
📄 54-54-Raccoon Eyes Technique in Premiere Pro.mp4 (59.63 MB)
📄 55-55-Introduction to Ideal Skin Tones.mp4 (39.16 MB)
📄 56-A007_C007_11284U_001.mp4 (0.00 B)
📄 56-A017_C006_1107OY_001.mp4 (0.00 B)
📄 56-Blackmagic_Cinema_Camera_1_2013-03-09_2000_C0004.mp4 (0.00 B)
📄 56-_A007_C007_11284U_001.mov (239.00 B)
📄 56-_A017_C006_1107OY_001.mov (239.00 B)
📄 56-_Blackmagic_Cinema_Camera_1_2013-03-09_2000_C0004.mov (239.00 B)
📄 57-57-Correcting Skin Tones.mp4 (42.55 MB)
📄 58–_P2470482.mov (239.00 B)
📄 58-MVI_7769.mp4 (0.00 B)
📄 58-P2470482.mp4 (0.00 B)
📄 58-_MVI_7769.mov (239.00 B)
📄 59-59-Correcting Darker Skin Tones.mp4 (58.37 MB)
📄 60-00086488.mp4 (0.00 B)
📄 60-MILKT_FILMS_4K_1_2014-10-11_1102_C0015.mp4 (0.00 B)
📄 60-MVI_0024_bkd.mp4 (0.00 B)
📄 60-_00086488.mov (239.00 B)
📄 60-_MILKT_FILMS_4K_1_2014-10-11_1102_C0015.mov (239.00 B)
📄 60-_MVI_0024_bkd.mov (329.00 B)
📄 60-_businessman_closeup.mov (239.00 B)
📄 60-businessman_closeup.mp4 (0.00 B)
📄 61- 61-Correcting Lighter Skin Tones.mp4 (71.10 MB)
📄 62-A115_C020_0419Q9_001.mp4 (0.00 B)
📄 62-A115_C039_0419UV_001.mp4 (0.00 B)
📄 62-_A115_C020_0419Q9_001.mov (239.00 B)
📄 62-_A115_C039_0419UV_001.mov (239.00 B)
📄 63-63-Recovering Skin Tones.mp4 (71.50 MB)
📄 64-64-Export Options and Formats.mp4 (39.40 MB)
📄 65-65-Grade Management in Premiere Pro.mp4 (64.89 MB)
📄 66-Untitled00000000.mp4 (0.00 B)
📄 66-Untitled00000841.mp4 (0.00 B)
📄 66-Untitled00001454.mp4 (0.00 B)
📄 66-Untitled00001913.mp4 (0.00 B)
📄 66-Untitled00002191.mp4 (0.00 B)
📄 66-_Untitled00000000.mov (239.00 B)
📄 66-_Untitled00000841 1.mov (239.00 B)
📄 66-_Untitled00001454.mov (239.00 B)
📄 66-_Untitled00001913.mov (239.00 B)
📄 66-_Untitled00002191.mov (239.00 B)
📄 67-67-Picking a Hero Shot.mp4 (32.56 MB)
📄 68-A003_C002_0101EBBkd.mp4 (0.00 B)
📄 68-A003_C005_0101SA.mp4 (0.00 B)
📄 68-AB2A9591.mp4 (0.00 B)
📄 68-BMCC_1_203-03-25_2023_C0013bkdv2.mp4 (0.00 B)
📄 68-BMCC_1_203-03-25_2029_C0014bkdv2.mp4 (0.00 B)
📄 68-Clip_4bkd.mp4 (0.00 B)
📄 68-Shot00876519.mp4 (0.00 B)
📄 68-Shot00953192.mp4 (0.00 B)
📄 68-_A003_C002_0101EBBkd.mov (389.00 B)
📄 68-_A003_C005_0101SA.mov (389.00 B)
📄 68-_AB2A9591.mov (389.00 B)
📄 68-_BMCC_1_203-03-25_2023_C0013bkdv2.mov (389.00 B)
📄 68-_BMCC_1_203-03-25_2029_C0014bkdv2.mov (389.00 B)
📄 68-_Clip_4bkd.mov (389.00 B)
📄 68-_Shot00876519.mov (299.00 B)
📄 68-_Shot00953192.mov (299.00 B)
📄 69-69-Shot to Shot Matching.mp4 (383.77 MB)
📄 70-V1-0042.mp4 (0.00 B)
📄 70-V1-0043.mp4 (0.00 B)
📄 70-V1-0044.mp4 (0.00 B)
📄 70-_V1-0042.mov (389.00 B)
📄 70-_V1-0043.mov (389.00 B)
📄 70-_V1-0044.mov (389.00 B)
📄 71-71-Shot to Shot Matching Advanced.mp4 (142.54 MB)
📄 72-Camera_1.mp4 (0.00 B)
📄 72-Camera_2.mp4 (0.00 B)
📄 72-Camera_3.mp4 (0.00 B)
📄 72-_Camera_1.mov (210.00 B)
📄 72-_Camera_2.mov (210.00 B)
📄 72-_Camera_3.mov (210.00 B)
📄 73-73-Shot to Shot Matching Multiple Cameras.mp4 (223.28 MB)
📄 74-00021.mp4 (622.19 MB)
📄 74-MVI_0396.mp4 (585.88 MB)
📄 74-_00021.mov (332.00 B)
📄 74-_MVI_0396.mov (332.00 B)
📄 75-P2470477.mp4 (431.79 MB)
📄 75-P9960607.mp4 (433.97 MB)
📄 75-_P2470477.mov (332.00 B)
📄 75-_P9960607.mov (332.00 B)
📄 76-75-Grading Multicam.mp4 (107.09 MB)
📄 77-MVI_0396 1.mp4 (0.00 B)
📄 77-P2470477 1.mp4 (0.00 B)
📄 77-P9960607 1.mp4 (0.00 B)
📄 77-_MVI_0396.mov (239.00 B)
📄 77-_P2470477.mov (239.00 B)
📄 77-_P9960607.mov (239.00 B)
📄 78-77-Grading Multicam Advanced.mp4 (157.30 MB)
📄 79-MasterClass_2ShotA.mp4 (0.00 B)
📄 79-MasterClass_2ShotC.mp4 (0.00 B)
📄 79-MasterClass_FlowerCUA.mp4 (0.00 B)
📄 79-MasterClass_FlowerCUB.mp4 (0.00 B)
📄 79-MasterClass_Rev2Shot.mp4 (0.00 B)
📄 79-MasterClass_WS.mp4 (0.00 B)
📄 79-MasterClass_W_2Shot.mp4 (0.00 B)
📄 79-_MasterClass_2ShotA.mov (329.00 B)
📄 79-_MasterClass_2ShotB.mov (329.00 B)
📄 79-_MasterClass_2ShotC.mov (329.00 B)
📄 79_MasterClass_FlowerCUA.mov (329.00 B)
📄 79_MasterClass_FlowerCUB 1.mov (329.00 B)
📄 79_MasterClass_FlowerCUB.mov (329.00 B)
📄 79_MasterClass_WS.mov (329.00 B)
📄 79_MasterClass_W_2Shot.mov (329.00 B)
📄 80-79-Masterclass Part 1 Building the Base Correction.mp4 (61.27 MB)
📄 81-81-Masterclass Part 2 Shot to Shot Matching and Secondaries.mp4 (290.87 MB)
📄 82-83-Masterclass Part 3 Grouping.mp4 (83.46 MB)
📄 83-85-Masterclass Part 4 Look Building Intro and Delivery.mp4 (46.61 MB)
📄 84-86-What is The Goal.mp4 (63.02 MB)
📄 85-Creating_Mood.mp4 (0.00 B)
📄 86-88-Creating Mood.mp4 (84.24 MB)
📄 87-Suggesting_Time_of_Day.mp4 (0.00 B)
📄 87-_Suggesting_Time_of_Day.mov (329.00 B)
📄 88- 90-Suggesting Time of Day.mp4 (68.87 MB)
📄 89-Ambulance_Context.mp4 (0.00 B)
📄 89-Desert_Context.mp4 (0.00 B)
📄 89-Hospital_Context.mp4 (0.00 B)
📄 90-92-Contextual Looks.mp4 (120.71 MB)
📄 91-Dialing_Looks_to_Taste_Music_Video.mp4 (0.00 B)
📄 91-Dialing_Looks_to_Taste_Period_Piece.mp4 (0.00 B)
📄 91-_Dialing_Looks_to_Taste_Music_Video.mov (389.00 B)
📄 91-_Dialing_Looks_to_Taste_Period_Piece.mov (389.00 B)
📄 92-94-Dialing Looks to Taste.mp4 (98.28 MB)
📄 93-Skin_Tone_Looks_01.mp4 (0.00 B)
📄 93-Skin_Tone_Looks_02.mp4 (0.00 B)
📄 93-_Skin_Tone_Looks_01.mov (329.00 B)
📄 93-_Skin_Tone_Looks_02.mov (329.00 B)
📄 94-96-Creating Looks Around Skin Tones.mp4 (77.18 MB)
📄 95-MasterClass_2ShotA.mp4 (0.00 B)
📄 95-MasterClass_2ShotC.mp4 (0.00 B)
📄 95-MasterClass_FlowerCUA.mp4 (0.00 B)
📄 95-MasterClass_FlowerCUB.mp4 (0.00 B)
📄 95-MasterClass_Rev2Shot.mp4 (0.00 B)
📄 95-MasterClass_WS.mp4 (0.00 B)
📄 95-MasterClass_W_2Shot.mp4 (0.00 B)
📄 95-_MasterClass_2ShotA.mov (329.00 B)
📄 95-_MasterClass_2ShotB.mov (329.00 B)
📄 95-_MasterClass_2ShotC.mov (329.00 B)
📄 95-_MasterClass_FlowerCUA.mov (329.00 B)
📄 95-_MasterClass_FlowerCUB.mov (329.00 B)
📄 95-_MasterClass_Rev2Shot.mov (329.00 B)
📄 95-_MasterClass_WS.mov (329.00 B)
📄 95-_MasterClass_W_2Shot.mov (329.00 B)
📄 96-98-Auditioning Different Scene Versions.mp4 (33.16 MB)
📄 97-99-Contrasts of Color Introduction.mp4 (55.98 MB)
📄 98-A001_C015_0712ZF.mp4 (0.00 B)
📄 98-_A001_C015_0712ZF.mov (329.00 B)
📄 99-101-Contrasts of Light and Dark.mp4 (44.99 MB)
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